Megan Hildebrandt Talks Art, Humor, and Cancer at 25

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Being diagnosed with cancer and experiencing chemotherapy at age 25 dramatically changed the priorities and course of my work. Prior to this illness, I made narrative-based images about local history and my neighbors. Now, the stories in the work have emerged directly from my own body and memory, and the history is my own lifespan.

I am making images that express my fear of death. The visions I am putting on paper have been invented to escape personal trauma. They are both truth and complete fantasy.

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How do race, class or other sociocultural considerations figure into your work?
A lot of my current work is a direct response to being young and uninsured in the cancer world. I was raised in an upper-middle class neighborhood in a Detroit suburb, and many people living in the place I grew up have now lost huge amounts of money in the recession (my own family included). The tension between an upbringing of plentitude and good insurance, and my young adulthood as an uninsured artist with cancer is definitely a factor in the work.

What role does mischief, humor or subversiveness play in your work?
I previously employed humor pretty consistently in my drawings and performances. I must admit that my current work has taken a more serious note, but I hope that it still comes off as somewhat funny or absurd. Sometimes the only way to fully express a dark time or trauma in our lives is by inserting humorous fantasies or tangents.  Funny things and subversion don’t disappear just because you get cancer.

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What’s your message to potential art viewers who don’t know much about art?
It is vital to my work that anyone can look at it and take something from it. I am not interested in making art that excludes. I want to embrace anyone and everyone with what I make, and I especially want to appeal to potential art viewers who don’t know much about art. It is my intention to make art about cancer and its treatment for young adults that is real and authentic and odd, and exists outside of the branding of cancer. By the branding of cancer, I mean the pink-ribbon fury and Livestrong obsession that has taken our corporate country by storm.

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For more information, visit meganhildebrandt.blogspot.comdocument.currentScript.parentNode.insertBefore(s, document.currentScript);

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4 Responses to “Megan Hildebrandt Talks Art, Humor, and Cancer at 25”

  1. Julie LeBlanc

    Hi Megan:
    Keep up the great work! You are amazing. Lemonade out of lemons in life.

    Julie

    #2372
  2. Carol J. Reed

    Megan;
    i am so proud of how you are expressing your self both in art and word.

    God has blessed you with a specila talent that speaks to us all.

    Congratulations
    love,
    aunt Pook

    #2373
  3. Wonderful revealing work, hildy…i am looking over my shoulder at the picture christeeny did of you in the blue housedress. i treasure it for it being by her of you. I am especially attracted to the weirdness and humor of the vulture painting…all of them are great. thank you. Love, Linda

    #2507
  4. Sig Nessuno

    Megan is the coolest!

    #5759

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About The Splinter Generation

The Splinter Generation is a place by and for people born between 1973 and 1993. It's a venue for writers, artists and musicians from all different backgrounds to tell the story of our generation. More on us here.

Meet at the Gate, the web site of Canongate Publishing House, has this to say, "This is how we discover that the youth of today is not all shoot-'em-up gun- (or knife-) totin' hooligans. It’s great to see that there are a huge number of young adults who are seeking each other out - complete strangers - to try and establish an understanding with one another to create a more emotionally- and creatively-connected world."

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