My work consists of many layers that delve into my own upbringing in the ‘poor-white-trash’ South. I use this generalization of who I am as a basis for commenting on this particular lifestyle, as well as poking fun at the stereotype. It’s the old saying, “I’m ____, so I’m allowed.” I use gender-, race-, and class-specific objects to bring about questions of who these people were/are and whether or not they should be feared or laughed at.. »
Khadijah Queen is the author of two poetry collections, Conduit (Black Goat/Akashic 2008), and Black Peculiar, which won the 2010 Noemi Book Award for Poetry and is forthcoming in fall 2011. She is also a visual and performance artist. Visit her website:. »
Being diagnosed with cancer and experiencing chemotherapy at age 25 dramatically changed the priorities and course of my work. Prior to this illness, I made narrative-based images about local history and my neighbors. Now, the stories in the work have emerged directly from my own body and memory, and the history is my own. »
Welcome, everyone, to the new Splinter Generation blog. Here at Splinter, we want to find the best new literary and artistic minds out there, voices that can define who we Splinters (otherwise called millennials) are, and we’ve spent the last few years going through submissions and finding some really, really excellent work (and getting so many submissions we had to turn some of it down, even!)
And now, we’re starting a blog.
We’ll be posting links and random musings about our generation and fiction and poetry and nonfiction and music and art. We’re gonna have fun with it and we’re gonna nerd it up and it will be spectacular. We’re going to cull the Internet for things you’ll be interested in, and we’ll also, hopefully, be able to talk about ideas that are important to our generation and to literature and to art in a less formal way here.
But that’s not it. We also want this blog to start conversations. That’s one of the things Splinter is about: we want to get people who aren’t talking to each other to start talking to each other. So we encourage comments, and we want to hear from you about what it means to be a part of this generation. If you feel like a story needs to be told, or if you have a generational rant that isn’t necessarily literary but you want your opinion voiced, you can email us at splinterblog (at) gmail (dot) com and we’ll post some of your thoughts as we get them.
We’ll be here a couple times a week! Check in often.. »
The Splinter Generation is dedicated to providing a venue for aspiring and established artists. We accept contributions of work in any fine art medium including painting, drawing, performance art, video, printmaking, photography, textiles and sculpture. Literary comics also welcome. We have no prescribed style and will consider both representational and abstract work. However, the work should speak to the overall generational theme of the journal, whether directly or indirectly.. »
by Ariel Baron-Robbins
In my drawings and photographs, I continue to explore how to depict movement; I want to know what the process of drawing looks like visually from the outside. I turn my body into the drawn mark and use its dance-like motion as an abstracting tool to discuss new interpretations on figure drawing. In my short video pieces, I eliminated the marks but keep the physical action because I want to focus on body movement. The mark itself is essentially only a by-product of action, but the action is fleeting, unless trapped by some sort of recording device. If I don’t make a mark, I can still make an action and perhaps that action can stand in for the. »
An Interview with Khadijah Queen
Rabbits aren’t necessarily cute and cuddly like the Easter bunny. For example, I didn’t know rabbits made any sounds at all until I researched them. In fact they have a very loud, grating scream if threatened. A mother rabbit will kill her own young (thinking them enemies) if touched too soon by humans. So rabbits are vulnerable and soft, but they do also have the ability and impulse to fight back and even to. »