Tag Archive
Experiments in Revision, Final Reflections
by Niki Selken
You know how it feels to write or make a first draft of something, then rework it until it shines like the top of Chrysler Building? You know how you kind of want to burn that first draft, so that no one will ever know the embarrassing wreckage of over-obvious, trite, and self-indulgent. »
Experiments in Revision, Part 4
Lisa McCool-Grime
Senior Poetry Editor
Synthesis: This is not so much an act of combining as it is an act of harmonizing. Which parts of the previous drafts have shown themselves to be extraneous and unnecessary? Which parts augment and support one another? What is the best flow for these remaining moments? What connective tissue must. »
Experiments in Revision, Part 3
Lisa McCool-Grime
Senior Poetry Editor
In this series we have thus far presented a long, action-loaded rough draft and then a total scrap-and-revise, tanka-inspired revision. This week’s installment is a list poem—a sister-shadow poem heavy with nouns; a counterpoint to the verb-heavy first draft. Here Niki Selken makes a descriptive list of things her narrator encountered. »
Experiments in Revision, Part 2
Lisa McCool-Grime
Senior Poetry Editor
Tanka is a Japanese form that can be roughly approximated in English with five lines using a syllabic pattern of 5-7-5-7-7. When I first began working with it, I found it to be an amazingly tidy container for difficult to contain emotions. So in reading Niki’s first draft, I immediately thought of. »
Experiments in Revision, Part 1
Lisa McCool-Grime
Senior Poetry Editor
In 2007, I was visiting my friend Owen at his art show: portraits on the grandest scale done in aerosol on 8′ x 8′ panels. It was the last hour of the last day of the Durham Art Walk in North Carolina. When all of the passers by stopped passing by, I. »



